新浜码头艺术空间 Sin Pin Pier

「新浜码头艺术空间」于民国86年8月由三十多位成员以会员制共组「新浜码头艺术空间」，其会员大多数为「高雄市现代画学会」之菁英，因此「新浜码头艺术空间」与「高雄市现代画学会」有著深厚的脐带关係。有鉴于新浜码头多年来在致力于推动南部艺文发展及其累积的艺术能量，以黄文勇为首的新浜执委会提出：应视新浜为一「社会公共财」此概念，并进行永续经营的思考，故由执行委员会共议独立筹组人民团体，于民国98年1月10日，「高雄市新浜码头艺术学会」正式立案改制成立。

「新浜码头艺术空间」成立至今，堪称是高雄市公立美术馆外的一个视觉文化重点地标。我们历年来秉持著增加公共性参与，以倡导当代艺术创作、展览、论述，推广民眾艺术教育、鉴赏，培育艺术行政与管理等专业人才为要务，并秉持新浜为一社会公共财的精神，实践公民素养之促进，推动艺术、文化、社会等领域进行跨域之公民论坛，塑造为具有「南方生猛」、「跨域活化」之艺术场域。

The Sin Pin Pier—Absolutely Art Space (Sin Pin Pier) was first formed in August 1997 by more than 30 members, who were mostly elite members of the Kaohsiung City Modern Painting Association. Consequently, the Sin Pin Pier has a close tie with the Kaohsiung City Modern Painting Association. In view of the endeavors of the Sin Pin Pier to promote artistic and cultural activities in Southern Taiwan and the artistic capacities that have been accumulated in this space over the years, the executive committee of the Sin Pin Pier, which was led by Huang Wen-yung, proposed to redefine the Sin Pin Pier as a public good. To ensure the sustainable operation of the Sin Pin Pier, the executive committee reached a consensus to establish an independent civil association.On January 10, 2009, the restructured Kaohsiung City Sin Pin Art Society was officially registered.