Longlati基金会 | AI设计导航

Longlati基金会是注册于中国香港的非营利机构，由徐传陞与陈子豪共同创立。Longlati基金会立足于变革中的文化图景与地缘生态之间，并助力推动当代艺术的多元发展。自2017年启动至今，Longlati收藏与赞助计划围绕三个主题展开：二十世纪国际女性艺术家创作、少数与多重少数群体文化以及90 后中国艺术家的实践。

女性艺术家作为其收藏体系的原点与关键线索之一深刻影响着Longlati基金会的行动。在近一个世纪中，女性主义思潮前赴后继地翻涌至世界各地，突破了以男权经验为主导的艺术史书写，由此亦涌现出诸多卓越的女性艺术家以及伟大的女性主义创作。凭借独特而丰富的艺术观念与创作语言，她们不遗余力地拓展体制与规则的边界，探索着并存的叙事。通过收藏与赞助计划以及空间展览计划与相关研究项目，Longlati力求激发对于过往女性艺术家的讨论与再发现，促进当今女性艺术家的工作与新理念。Longlati倡导更好地为女性艺术家发声，提高她们在艺术呈现中的可⻅性，有效地唤起其他领域乃至整个社会对于性别失衡问题的认识与反思。

Longlati基金会在支持女性主义的⻓期过程中也关注到与之同时抬头的少数群体文化，希望籍此打开并维持一个公平而包容的话语场。Longlati反对艺术界如今策略性或象征性地利用少数群体文化，目的却在于以系统化的多样性表演多元性。少数群体不是一个数字概念。在Longlati的愿景中，少数与多重少数群体文化的存在不是某种“铁板一块”的体验，而是处于不同语境及其复杂维度中的真实与现实。Longlati企图为少数群体的创作构建正常化的阐释脉络，提供充分的学术资源以实现少数与多重少数群体文化之间的相互融合。

此外，Longlati基金会还期待着发掘优秀的90后中国艺术家，陪伴他们的发展与成⻓。在收藏与赞助计划以及空间展览计划之外，Longlati还发起了艺术家驻留计划与写作者收藏委员会计划(上海)，逐步完善针对90后中国艺术家的部分收藏体系与研究平台，为他们提供优质的展览与跨界合作机会。 Longlati将邀请其他机构、策展人以及各界学者参与进来，与年轻的创作者们进行对话与互动，共谱个案林立、“后浪”奔涌的新篇章。Longlati意在捕捉并记录下90后中国艺术家在其职业生涯的关键阶段中共同形塑的时代群像。

Co-founded by David Su and Zihao Chen, Longlati Foundation is a non-profit organization registered in Hong Kong, China. It stands between the cultural landscapes and geo-political realities in change, contributing to the development of contemporary art in its diversity. Since its initiation in 2017, Longlati Collection and Patronage Program has been structured around three themes: 20th-century international women artists, minority and multi-minority cultures, as well as the practices of post-90s Chinese artists.

Women artists, as one of the origins and clues of its collection, have profoundly influenced Longlati Foundation’s actions. Over the past century, feminism has surged in succession around the world, disrupting the male-dominated visual experience of art history and giving rise to many remarkable women artists and extraordinary feminist artworks. With unique and elaborative artistic notions and languages, they have spared no effort to expand the boundaries of institutions and conventions, exploring the narratives of co-existence. Through its Collection and Patronage Program and its Exhibition Program and related research projects, Longlati seeks to evoke discussion and rediscovery of the preceding women artists and promote the work and perceptions of contemporary women artists. Longlati advocates for a stronger voice for women artists, increasing their visibility in the presence of art history and actively raising awareness and reflection on gender inequality in other disciplines and society at large.

Longlati Foundation’s longstanding support of feminism is also connected with the simultaneous rise of minority culture, through which Longlati hopes to create and maintain an unbiased and inclusive discourse. Longlati rejects the strategic or symbolical contemporary exploitation of minority cultures but aims to achieve pluralism with systematic diversity. The minority is not a numerical concept. In Longlati’s vision, the existence of minority culture and multiple minority cultures is not just a monolithic experience but a reality and verity in different contexts and complex dimensions. Longlati attempts to establish a methodized system for the practices of minority people and to provide sufficient academic resources for the intersection of minority and multiple minority cultures.

In addition, Longlati Foundation looks forward to discovering outstanding post-90s Chinese artists and witnessing their development and growth. Besides the Collection and Patronage Program and the Exhibition Program, Longlati has also launched the Artist-in-Residence Program and Writers’ Acquisition Program (Shanghai) in order to gradually improve the collecting apparatus and research platform for post-90s Chinese artists, providing them with excellent exhibition and interdisciplinary collaboration opportunities. Longlati will invite other institutions, curators and scholars across disciplines to engage in dialogue and exchange with the young artists to create a new chapter of astounding manifestations and surging waves. Longlati attempts to capture and document the portrait of a time collectively shaped by the post-90s Chinese artists at a critical stage of their careers.